The reason I was reading David Byrne's stuff in the first place was because I've been listening to a lot of Talking Heads recently. So in an arse-about-face sort of way, I may as well now tell you the Talking Heads story. Reason being, as my old Karate instructor used to say*, is that I find Talking Heads to be one of the most underrated well-known bands in the canon, and so I like to spread the gospel.
I got into Talking Heads in 1994, some three years after they officially split and six after their final album. I am nothing if not down with it, y'know? Or up with it. Or whatever. Anyway. It was summertime, and a friend lent me Sand in the Vaseline, a 2CD best-of that I was to hang on to for rather too long, until I finally bought the 1CD Once in a Lifetime best-of that Autumn (Sand in the Vaseline being, at over £20, rather too expensive for an impecunious 17 year old with a wont for getting wasted on cheap supermarket vodka every weekend).
It was also the first summer I fell in love, the first summer of getting wasted on aforementioned vodka, the first summer of working in London, Britpop, gigs, holidays sans parents, et cetera. All that good teenage rite of passage stuff. And so partly I associate Talking Heads with that time, with everything being new, exciting. New people, ideas, directions. New feelings: adult passion rather than childish excitement, tenderness, jealousy, resentment, rejection, dizzying existential nausea. All these things I wanted (and proceeded) to explore.
Talking Heads provided a literate, intelligent, humorous-serious soundtrack to these teenage excursions. The rhythms are clear, strong and funky. The guitars are lithe, expressive and struck with bell-like clarity. The voice quirky, but expressive and confident. Compare and contrast the turgid, distorted mush, the self-obsessed posturing negativity of later grunge. The weary, cynical, knowing nostalgia paraded by English bands of the time. Here I find a band you could dance to - properly, not that self-conscious indie shuffle - but with lyrics about life during wartime, or heaven being a place where nothing ever happens, or love being a building on fire. Music with imagination. During a time where the grotesque egotism, unthinking hedonism and casual cruelty of what would become 'lad culture' were celebrated by a media class able to afford regular cocaine for the first time, it was a way for me to escape into that semi-mythical American world of freedom and opportunity. Intelligence, openness, hard work and enthusiasm became things that could be celebrated rather than reviled.
It didn't last of course, and as winter approached, my exhausted, ethanol-soaked heart fell piece by forlorn piece into a dark chasm of bitterness and fear from which it has never since entirely emerged. Now, ironically, I listen to Talking Heads with large doses of that weary nostalgia I used to despise so heartily. But still there are the rhythms, melodies, and the fierce, defiant, hopeful words of the intelligent man that I identified with so closely. And there is enough of that 17 year old left that I still want to get up and dance to a song about love being a building on fire.
I don't know what you think of Talking Heads. But whether you're familiar with them already, or whether they're a band you've never really paid much attention to (or indeed if you've never heard of them before), I would urge you to take another listen; and really listen, with that attention you usually reserve for important things. And make sure you're wearing your dancin' pants.
Links:
Allmusic
Talking Heads fansite
Once in a Lifetime video (YouTube)
Talking Heads on Amazon.co.uk
* as in: "you want to bring your elbow back round when you pivot... reason being, it'll break their nose and they'll likely let go of your arm...."